Churches glass windows

It also represents the sacrifices of the ancient saints. It is a strong color. Green: Green represents nature. Green represents faith and contemplation. Green also represents rebirth which has a strong connection to Jesus Christ. Blue: Blue color is often associated with the Virgin Mary. Blue is the color of the sky and represents hope and heaven. White: White color represents purity, chastity and is often associated with God. Yellow: Yellow color has been used to represent the treachery of Judas.

Yellow also represents the gates of heaven. The yellow color represents divinity. Purple: Followers believe that Christ wore purple before his crucifixion. So, purple represents sacrifice and endurance. Purple is also related to God the Father. Black: Black-colored glass is never used in stained glass windows, at least not in the main image. Black is considered inauspicious. It was constructed in the 11th century and was part of a project to make the windows larger and more beautiful.

These windows not only served the spiritual purpose of bringing to mind how the light of God shatters our darkness, but also proved to be an important catechetical tool. It was during the medieval period that stained glass windows became a primary way to teach the illiterate laity the many stories of the Bible.

Often these windows, depending on the size of the church, would go from Genesis to Revelation, highlighting the most important stories in Salvation History.

The history of the Bible depicted in these windows would also be connected to a brief representation of Church history. Saints were also shown in these windows and presented as a daily inspiration for the people struggling on their Christian journey.

The windows were also used to illustrate the illumination of the mind with divine knowledge and how grace penetrates our world. As technology improved over time, stained glass windows grew larger and larger, becoming extremely complicated and full of all kinds of symbolism.

On account of the complex artistry involved, stained glass windows were typically the last item to be installed in a new church and many years would pass until the final window was completed. The windows were also very expensive to produce and so to encourage donations, names of patrons would be etched on the bottom.

Church windows historically refer to windows made to receive both stained glass and protection glass in the same frame. We have systems for insulated protection glass and monolithic protection glass. In Sussman Architectural Products church window frames the separation of stained glass and protective glass is achieved by a channel that is an integral part of the extrusion. We bet, now you are dazzled even more! In churches themselves, stained glass acquired recognition in the times, when Christianity was precipitously spreading across the globe.

The popularization of this faith resulted in the massive building of churches, where stained glass was used. Only in this period, stained glass received its religious meaning. And, in AD at St. Moving further, when classic pictures of saints lost its popularity, the glaziers adjusted these designs to the so-called new fashion in architecture, and arts itself.

The thirteenth century is considered to be in some way an innovative one. This happened due to the fact that stained glass panels lost their narrative interest and dramatic power. More flowing lines became en vogue. Besides, to this very period dates back the origin of silver stain.